After screwing up what seems like thousands of sets of goose guts with modifications to EVERYTHING, I finally found the set that I'm satisfied with. After trying one of every gut I could get my hands on, I finally tried different parts of different sets and modified most of those until I found the right combination of tone channel, primary and secondary angles, and even a hand built wedge to finish the deal. Add one of several hundred hand cut reeds, and voila...... the first set of gut's I'll call my own.
I ran the wee out of them for a few days, and tried them in a few different calls before I was convinced that I had what I was looking for. They seem to have everything from a rough, gravely bottom end that screams boss gander, to the tightest crack and a high end that sings like a canary. Couldn't be happier with the sound and response, they seem to be tight and really fast. I can't wait for the mold to cure and see how they mold up, been waiting to pour a set like this since the day I got the kit. I feel like a kid the day before Christmas, can't wait to open them up and see how they run. I was sitting here watching the mold cure (yes, that's about like watching paint dry) and thought I'd try to figure out a name for them. I thought about somethong flashy, but with all the sanding scars and odd things about these, they are ANYTHING but flashy. Then I thought about the speed and performance of these things, and a few other names popped up, but none of them really fit these guts either. Finally, as I was sitting there looking at the bag full of trashed guts and reeds I had worked over and destroyed in the process of bringing these to life, the name came to me .
These will be the Frankenstien guts, as they are from so many pieces and lessons from so many different guts. I'll get a picture of the first set out of the mold tomorrow night and mabey a soundfile if I can get it done. More to come.....
Bob