I guess I am too old and ornery, if someone wants a sound file I would add that time to the price, and you can bet that it would be a chunk of paper not coin. I have sent calls out on approval, I tell them either pay or send them back, never had one sent back. Did have one guy try to stiff me for payment, explained to him I am a disgruntled postal worker and a deranged Vietnam vet, than asked which one of me he wants to come for a visit. Had a check in less than a week.
Braz, a duck call for $60 is cheap, if I make the toneboard you can bet on $75 for a minimum and that is without fancy wood, add in fancy wood and it will hit a $100 in a second, anything special and it will go $125. Used to get decent prices for varmint calls, but over the last few years the bottom has fell out of the varmint call market. Now I set my price less than I did 10 years ago, but in some cases still to high. But I never drop the price after I ask it. Cannot take them with me, but my granddaughter will have a helluva collection, I have some classics in it, 2 Richard Granthams, 1 Rich Cronk, W Williams, and others, even some guy named Al Woodard, plus all of the old calls like the Weems, Circe, Olt etc..
Twalter, JC reeds have their place, but it is very low on my totem pole of importance on a custom call. If it is a JC reed the first thing I do is look at the other calls the maker makes. If he makes complete calls, toneboard etc,. I will look at it, but if they are all closed reeds with JC reeds and store bought toneboards, then I would pass on it even if it was out of solid gold, unless the weight of the gold was worth more than the price of the call. That is a turner, not a callmaker.
Marvin